The Improv Quilting Journal Quilt Challenge at the Newark Quilt Show

March 7, 2025

Another of the exhibitions at this year’s Newark Quilt Show was the Journal Quilt Challenge, where quilters make two A4 size quilts based on the theme for the year, which for 2025 was Improv Quilting.

And for small quilts, there’s a lot of work in these - and there were plenty of entries, way more than I can show in a single post, so I’ve chosen my favourites to include here.

The show notes advise that ‘Improv patchwork & quilting is very ‘on trend’ at the moment but some quilters may be hesitant to try something new without the safety net of rules’ - but then again, that goes for a lot of things in life doesn’t it?

For me the standout entry was the two collages by Joan Weston - not only the subject matter, but also the materials used - fabrics, papers, newspaper extracts as well as stitching and the final products.

The top quilt, which remember is just A4 sized, is a collage of fabrics, papers, newspaper extract and stitching representing the invasion of Ukraine and Zelensky’s moving response channelling Churchill’s speech decades earlier. The second represents the destruction of the cities in Ukraine using newspaper cuttings, photographs and stitching. The stitches show the winter weather suffered by homeless people, bombs and the bloodshed.

No matter what your views on the subject matter, both pieces are incredibly detailed and the amount of work in such a small piece is mind blowing, and totally amazing - and definitely fits into the Improv Quilting category.

Other quilters took a more traditional approach playing with more recognisable quilting shapes and designs - you’ll no doubt recognise some of those which have been given the improv treatment.

UPS & DOWNS AND GOING IN CIRCLES, HANNAH CARLISLE

IMPROV 8-POINTED STAR AND IMPROV QUADRANGLES, RUTH CASE

Other quilters took a less structured approach and used the materials, colours, shapes and stitching to represent a wide array of topics - from migraines and recovery, to cities and nature.

IMPRESSIONS OF NICE: I AND II, JULIET WEST

JUST WINGING IT I AND II, SHEENA ROBERTS

And then there was the completely wacky - and I say this full of admiration - the riot of colours, approaches and textures was equally as amazing.

WEIRD WILD WORLD AND WILD WEIRD WOLRD, MARY WATTS

STRANGE WORLDS AND LIFT OFF, HOPKIN REES

It’s also clear that these small quilts are equally as addictive as their larger versions - and I’m sure aren’t significantly less work either. The second inclusion by Hopkin Rees above was also reassuringly honest, and demonstrates that many crafters continue to be unhappy with their work. The Cyclops and String Adagio quilts were originally pieced and appliquéd but unhappy with the effect they ‘over sewed each separate fabric piece with vibrant stitch painting’ resulting in blocks of solid colour - the end result is particularly stunning I think.

These final two did raise a smile, which was the maker’s intention, though while I bet they were fun to make and are instantly recognisable, I think I’ll stick with the real thing!

Inside the fabric and haberdashery departments at Liberty

March 4, 2025

Having filled my cup as it were with the homewares in Liberty I headed further upstairs to the fabric and haberdashery departments, which for me could be a much more dangerous place for my purse! Initially I headed past the world famous prints and into the haberdashery - perhaps attracted by all the shiny things, who knew?

I couldn’t think of any good reason to buy any of the buttons or ribbons, but was totally in awe at the choice of buttons and almost instantly transported back to ‘The Button Shop’ in South Norwood High Street in the seventies, though to be clear I don’t think it could ever claim to be on a par with Liberty, but I do remember endless displays of all colours, sizes and shapes of button nonetheless.

I was intrigued by the artwork on the walls too - though again it’s not for the fainthearted at a mere £2,495 - my usual don’t look at the price routine scuppered by the label below. But it was very nice, though part of me wonders if this was the wrong department to hang this, as surely crafters are more likely to think to themselves ‘I could do that’ though admittedly it would also probably go onto a long list, and they’d probably never quite get around to it!

The haberdashery was laden with baskets of tempting Liberty fabric - some already made into pincushions, and others into equally pretty rolls and bundles. I was tempted, but out of the corner of my eye I saw the wall of quilting fabric and I had a new destination in mind.

Yes a wall of shelving of Liberty Quilting fabric, which was actually less densely populated with customers than most of the rest of the departments put together. And for Liberty the majority of this range wasn’t extortionate. Clearly I was tempted by the bright and pretty colours, but also I remembered that I was on a ‘grey fabric shopping’ general mission, and so I hunted out the greys, of which there were at least five different shades to choose from! I left with half a metre of a dark and a light grey to add to the stash for my extended Floral Fancy.

Having paid I left the haberdashery before any more damage could be done, and headed into the almost equally dangerous fabric department. Actually it’s probably less dangerous as I think if you’re spending this much on fabric you really need to have a plan. The Tana Lawn fabrics were easily ten pounds more than the quilting fabric I’d just purchased.

But they are ever so nice. And iconic. But also which one to choose?

For me I think I’m destined to have do something with the Ianthe range (pictured above) as every time I visit, or even look online I always find myself drawn to this design - but as yet, I’ve not bought any. I love the design and how elegant it is, but I’m still holding out until I have a plan as otherwise I don’t think I’d ever cut into it. Ever. Though actually that’s not such a bad plan either now is it?

The Chef's Table by Adam Frost

February 27, 2025

* I was invited to the press preview of Gardeners’ World Live and provided with a pair of tickets to visit the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

This is absolutely my kind of garden, and I’ve realised while writing this post that it brought about the same excitement as when we visited Hunte’s Garden in Barbados - which is an odd comparison I know, but bear with me. This garden is full of herbs, flowers and vegetables rather than the tropical plants in Barbados, but it is jam packed full of them just the same. The dense planting really appeals to me, as does growing herbs, veggies and flowers together - though I guess that’s really not that new an idea, but Adam Frost’s garden does it particularly well.

Adam’s Show Garden is overflowing with edibles growing in a naturalised setting, and provides plenty of ideas for how you can integrate edibles into your own garden. The outdoor cooking-dining area is rustic, perhaps a bit too rustic for my tastes, but I’m pretty sure that I’ll be using this garden as inspiration for my own in the years to come.

The kitchen was put to good use at the show though as Adam welcomed chefs such as James Martin, Michel Roux, Glynn Purnell and Si King into the garden and kitchen at various times over the course of the show. We didn’t catch any of these - James Martin was up on the day we were at the show, but I did have quite a random encounter with Adam himself.

The press invitation is to view the gardens before they open to the public, and takes place the afternoon beforehand and ends with the presentation of the awards - so it’s a fab thing to be invited too. We’d seen a lot of the gardens, and I’d even managed to photograph many of them and so we made our way into the marquee having a look around that, enjoying the peace and quiet which is completely different to show days, when moving around the marquee can be more of a shuffle.

Adam walked past us, still very much in garden prep mode - I’m sure there’s much more than you think to making a show garden look this good, and so not wanting to be an annoying member of the public, as we crossed I just said hello. Being the type of guy he is - very down to earth - he stopped said hello and how are you doing. Fine thanks, and we were past each other, nothing more required. Though, well I’d quite like him to come and design my garden at some point!

He is I’ve decided, from this encounter and from his TV appearances and the chat he did at the awards presentation, a very nice man indeed. I almost said a very nice guy (and he is) but stopped myself as that sounds very Trumpian, and that’s the last thing I want to be, or to ordain someone with!

The show garden had a welcoming rustic feel at its entrance, but as you moved through the garden there was also an orchard and the illusion of water - which I think from a hazy memory is the cream path intersecting the beds in the photo above. I’ll admit that water, or even the illusion of water in a garden isn’t something I’m fussed with in a garden - I know it’d be relaxing, that is until whatever the water feature was needed cleaning, so it’s a no from me.

What was unusual - and gives food for thought in my own garden is the changing paths - there’s the gravel edged with bricks and a wooden boardwalk, both of which have very different textures and textures are so important aren’t they?

I also liked the small groups of pots at points in the path - and I’m sure these pots of succulents influenced me to buy my own succulents the very next day, and which I’ve added to since then too.

The combination of rosemary, geranium and mints - as well as my favourite astrantia - was a heady mix, though I’m not sure I’d plant mint in a border like this - it spreads and spreads, and turns up everywhere. My mint will be staying firmly in a pot I’m afraid.

I had to include this shot, looking down on the thyme, rosemary and santolini with the sun on them - I can almost smell them from here. These are all plants I will have in my garden, the santolini is currently the only one I’m missing though.

Growing vegetables among other plants and making them look good is a skill, and a skill I want to have. The vegetables here - cavolo nero (above) and yellow chard and kale (below) again have texture and bring a colour to the space too.

I was all for heading back to the picnic dining table to see what was cooking, but alas I wasn’t quite brave enough to sit down - and stage a sit in, plus we had a hotel to get to!

* With thanks to Gardeners’ World for inviting me to Gardeners’ World Live, it was just as good as I expected! I’ll be sharing more from my visit to the show - I hope you enjoy it as much as I do.