A mandala pouch for my poppers

Since I shared the stack of vinyl pouches with you, pouches seem to have overtaken my life, which is a little dramatic I know. But I seriously have a bad case of Pouch Love!

This isn’t new to me, I’ve known I’ve had it for a long time - but what is new is that now I’m creating my own, and my answer really is ‘oh I need a pouch for that’ whatever the question. I’ve a few ready to share with you so will start to do that over the next few weeks, and don’t say I didn’t warn you.

This one though is both practical - it’s already in use - and had made use of two of the Adult Learning courses I did last year. This combines a print from the Indian Block Printing & Stitch course, along with the skills I picked up in the Bag Making course - most notably zips.

Though for all of the pouches I’ve made so far, I’ve still not switched to a zipper foot, so I think I probably should add that to my ‘to conquer’ list for this year, but back to this pouch.

It started off as a neon pink printed mandala on the cut up frill of an old valance sheet. Seriously.

Quite humble beginnings. At this point not even the edges had been finished on my overlocker - I guess I was keen to carry on printing during the class, and had underestimated just how many squares I’d need so printed and cut as I went!

As for many of the prints that I did in the class I had no real plans for what I’d do with the outputs, I was just enjoying the creative process and exploring the patterns and colours available. After the class finished I made more of a plan as to how I would embellish the prints, or at least chose a colour scheme.

The colour scheme chose me

This was was always going to have an element of teal, and I don’t know why. It’s not a colour I usually go for, though I have since bought clothes that are a similar colour, and I think it goes well with the pink. I was also keen for some of the printing to remain on show, and not to cover it all with embroidery, other than that I had no real plans when I started out.

After embellishing some of the printed area I knew I wanted more teal, and so it seemed natural to enclose it with a circle. And I thought I might turn it into an eye, but as I continued to embroider I decided against that. I didn’t do the outer circles - or at least two of them - freehand, I used a glass vase and then a plate to draw around to stop it all going skewif.

Nor did I use an embroidery hoop, and on reflection I probably should have for this one, as I ended up with more material than necessary in the centre. Thankfully though I came up with a plan for dealing with that - to use wadding to fill the hole, and so creating an almost raised central area. This in turn reminded me of the poppers I’d used on the first pouches I’d made, which the all important tools for were functionally, but not prettily stored in the metallic plastic bag it arrived in.

Now I really had a plan

With that I realised the answer was ‘I needed a pouch for that’ and what better than one with a big circle on the front. It was meant to be! But did I have any material that would match my teal scheme, probably - and as it turns out I did.

I’d bought the Liberty silk remnant during lockdown, along with some other prints which I’d used for some fancy masks, but I hadn’t used this one at all. Now was its time - I even found a complementary zip from the large stash I bought from eBay. The lining is the pale pink t-shirt remnant which I’d saved from a recently retired camisole top. Perfect.

I used the same approach as for the vinyl fronted pouches, but obviously without the vinyl part - and a whole lot bigger. Having made that stack of pouches really helped me out, as knowing how they were assembled meant I could made the adaptations I needed.

And it turned our really well.

Not only does it hold the tools for attaching the poppers - and the spare bits that came with it, it also holds the plastic container full of poppers.

So now when I want to add a popper I just need to go to my mandala pouch for my poppers - which may not always be easy to say, but it sure is easy to find!

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Three Indian Block Printed Leaves

I mentioned recently that I’d attended another Adult Learning course covering Indian Block Printing & Stitching, but hadn’t shared much of that here just yet. Not wanting to tease you I thought I should share some of that now that I’ve mentioned it, though there’s much more to come on this craft as this is the one I’m finding the most addictive so far. There’s so many possibilities, especially if I combine this with my newly found pouch-making skills!

But let’s not get ahead of ourselves!

I’ll share more about the course and its format in a future post, here I want to focus on a completed piece - or almost completed piece…

How it started…

It started quite simply, using old bedding as my background material. This was from the box-pleated ‘frill’ of an old valance sheet which I cut off and edged using my overlocker. I ironed it too - there was a lot of it, though it was much easier to iron now that it wasn’t attached to the central section which goes under the mattress! We’d not used the valance sheet for many years as not only was it hard to iron, it was also tricky to manoeuvre under the mattress and well, life’s too short for all that.

I printed the designs onto the fabric using fabric and Indian blocks at the adult learning class - and as you can see used the same block to create the design of three leaves. I also experimented with using two colour fabric paints on the middle block, adding an almost fluorescent yellow to the shimmering green, which I used on the outer leaves.

Three leaves block printed onto a piece of old bedding - two with the point down and a third between them with the point up

I liked this as a design and the resulting print, though the leaves kept reminding me of onions for some reason, and I’ve no idea why. Having rediscovered the joys of chain stitch as part of this course I was keen to continue that, and decided to outline the leaves and then fill in the blanks, but keeping the central design different.

I wanted to keep the green and green/yellow outline, and I wanted the central design to be prominent. Looking through my threads I opted for browns through to blush pink for the outer leaves and for oranges through to yellow for the central motif - the colours just seemed right.

All three motifs outlined and filled with chain stitches in neutral colours for the two outside leaves and warm oranges and yellows for the middle motif

Stitching was surprisingly addictive, and quick. It seems I didn’t stop and take many photos of the in-between stages, but if you look at the middle leaf that’s edged with a lime green thread, rather than the darker green used on the outer two.

I also made it up as I went along, mixing and matching strands of my threads to help ease the colour progression, and I’m really pleased with how this turned out.

So then I decided to add some beads.

Just tiny little ones.

In some of the gaps.

The same three leaves, now with added beads in some of the gaps - the beads follow the colours of the threads

Again allowing my creativity to lead.

It’s quite different to how it started isn’t it?

The embroidery is done, but this piece isn’t yet fully completed as I want to incorporate it into a pouch somehow - I’m just not sure how, just yet but I’m sure I’ll know in the not too distant future. For now I’m enjoying this unique piece which I’ve created without knowing where I’d end up.

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Embroidered sunflowers

Another craft post, I guess my craft room is paying dividends! Though in fairness these stick & stitch embroidery patches were a pre-move purchase from BlackbirdnBloom on Etsy. I bought them, along with some bee patches, to use to embroider over those annoying holes you get in some t-shirts, but what with everything going on I didn’t get around to doing anything more than popping them into my sewing box. I knew that I had enough embroidery threads in varying colours and even better, I knew where these where now that I’d unpacked in the new house.

They’re easy to use too, all I needed to do to get started was work out where I wanted the designs and what colours to use.

Two sunflower patches stuck on a navy blue t shirt - covering holes
Choosing colours - from many enbroidery threads wound around cardboard

And while sunflowers are traditionally yellow and brown, I opted for the card with the dusky pinks and pale yellows (I told you in my recent crochet post that they’re my go to colours!), and then quickly realised that my choice was also probably influenced by my top!

Deciding on a colour pallete of muted yellows and dusky pinks
My chosen colours *may* have been influenced by the top I'm wearing - yeap, the same colours

But anyway, the embroidery finally started.

Starting embroidering the petals with deep burgundys through to dusky pinks

As ever I decided to improvise, with the colours, the blending and pretty much everything else. I also got braver with this as I went along, likening the embroidery thread to colouring helped a lot, and I think the effort was worth it.

Making progress - three completed sunflowers - with the template sticky material around them

Once the embroidery covering the small annoying holes was complete, it was time to wash off the excess patch.

It was magic. Cold water and a very small amount of rubbing and the white surrounds easily disappeared.

Washing off the template material in cold water - starting to reveal the finished embroidery

I think the photos look much more dramatic when it’s wet!

Anyway, after trying my top on to admire my embroidery skills, I decided to add more embroidery, and not just to cover the holes. Before I could back out I stuck the design in place and got my needle out again, sewing more flowers up towards the neck, but off centre - I’ve a thing for things being a bit skew-whiff, to me it’s much more pleasing.

The t shirt laid out to show the embroidered sunflowers which have now migrated up the top (I liked them so much)

And I’m really pleased with the results, though less pleased with my attempts to photograph them. In fact the navy blue top wasn’t photographing at all well, so there was nothing else for it but a mirror selfie.

Me wearing the top- it was too hard to get a photo not wearing it - I've worn it out and no one asked if it was home made - result!

As you can see, it’s subtle but visible - and I think it looks like it’s meant to be there. I’ve worn this t-shirt out a few times now, including to a local sewing group here, and no one has asked if I made it. I’m hoping that’s because it looks good, rather than the other!

I’ve yet to start a t-shirt with the bees, but it’s on my list - and more importantly on my workbench, rather than shoved away. But it’s behind a project or two yet, but I’m pretty sure it won’t be long before I start…

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