Open studios, sculptures and a dingle dangle

Following on from my previous post on the Open Studios we visited this weekend, here’s more from the second studio, hosted by sculptor Mark Hodgson who opened his garden and invited us to wander around to view his amazing items, and they were amazing.

The spade heads were amusing, and a great way to ruse old garden tools and more. While they were fun, I can’t see them in my future garden plans, which I think MOH could be a little disappointed by, but I do see one or more of Mark’s scrap birds in those designs, so that’s a definite watch this space.

They are great fun, and involve great skill - but it was the birds that really caught my attention. I can imagine one (or maybe more) on the fence posts of the trellis around the heat pump. And maybe it’d keep the crows slightly at bay, who knows?!

ROBIN

HAWK

So don’t be surprised if one of these metal scrap birds appears at some point in the future!

And a dingle dangle

It’s always hard to leave these Open Studio events empty handed, but often it’s hard to choose just one thing! Here it was one of the dingle dangles made by Kate Sell, a mosaic and fused glass artist, and there were many to choose from. I opted for a tiny Christmas tree design in a gloriously sparkly green oblong and very tactile piece of glass. I’ve plans for it to be our new Christmas tree ornament of 2024, though at the moment can’t quite bring myself to store it in the garage with the other decorations - let’s just hope I remember it in a few months time!

I also left with a couple of Mark’s wife Amy’s succulents to add to those I brought home from Gardeners’ World Live earlier in the summer - I already know my next challenge will be how and where to store them overwinter. Amy’s advice was shelter and some cover, but that they wouldn’t like no light, so that rules the garage out - unless I can get MOH to put up a shelf or rig up some Heath Robinson solution in front of the windows on the door!

So two great visits, with plenty on display from a small number of local artists. Do look out for Open Studio events near where you live, or where you’re visiting, and do pop along I know it means the world to the artists, and they’re even more pleased if you are able to buy some of their work, now or in the future.

Sculpture and texture at the Soap Yard

There’s nothing better than a sunny, lazy Sunday and our trip to Parrillan in the newly opened Borough Yards will take quite a bit to beat. Not only was there great food and a relaxing space, but there was also a visit to the nearby Neal’s Yard Dairy, a great unexpected sculpture and of course, time to check out the loos.

Painted sign on brickwork - black text on a white background saying Soap Yard this way and an arrow pointing right

It wasn’t until we were through the bricked arch that I turned round and spotted the painted sign to the Soap Yard - the brickwork, and the neon signs pulled me towards them, but I soon backtracked to admire this too. Both are from different times, but both are equally design classics aren’t they?

A brick archway looking through to a new building with decorative brickwork and neon words in a grid (some of which are lit) on the corner

Once through the arch and after taking a photo of almost every brick, I noticed the globe sculpture titled The World Reimagined - Stolen Legacy: The Rebirth of a Nation, which is by Alison Turner. It’s one of 103 unique globes across the UK which explore the history, legacy and future of the Transatlantic Trade in Enslaved Africans.

Alison Turner is a mosaic artist who uses recycled vintage bone china, broken and discarded pottery, glass, ceramic tile and porcelain ornaments to create unique artwork. Her globe at Borough Yards was fantastic, and it’s the sort of piece that not only has deep meaning, but one that every time you look at it you’ll spot something different, and be enchanted again.

A large sculptural globe made from mosiacs at Borough Yards

The World Reimagined - Stolen Legacy: The Rebirth of a Nation – Artist: Alison Turner

We were early for our lunch reservation so took some time to wander around the space admiring yet more brickwork, and the structures they formed. I couldn’t help but notice and admire the curved reception desk at Parrillan which I’m sure was chosen to echo its surroundings.

The entrance to Parrillian which is under the arches, with a curved reception desk complementing the smooth lines of the arches curves
The courtyard is softened by olive trees and other plants all of which have a backdrop of brick buildings which surround the area

It soon became clear though, that texture had been given a lot of thought. Even the lemon meringue pie - which was as tasty as it looks - adopted the brief.

A portion of lemon meringue pie with a scorched meringue top, alongside is a sorbet resting on a biscuit crumb

And in the loos it was once again evident, with the panelled metal sheet on the ceiling, the smooth sink surrounds and the curves and symmetry of the mirrors and wall lights, demonstrating again that you can be adventurous with texture in a relatively small space.

In the loo, the sloping almost corrugated ceiling covering painted an olive green
A snip of the symmetry of wall lights between two curved wall mirrors
Black taps inset in the wall above the sink, the sink inlaid into the same cream stone top
A toilet selfie also showing the curve of the thinly edged black mirror

Back outside we moved from our table to a less formal space to end our meal. There were a few discoveries there, not least the heated seat pads (not pictured). Who knew, what an invention though sadly we had no need for them on our visit, but definitely something to try on a future, slightly chillier visit!

The modern wooden bench also caught my eye for its simple elegance, and the texture it too brought to the space. Alongside it the planting introduced more, the needles of the pine and the underplanting of soft mossy mounds. That’s how you do texture.

A birch 3 seater bench with decorative detail - slits - adding texture to an inviting spot to sit
Alongside the bench is a large pot containing a large evergreen, the photo focuses on the surface of the plant which is also potted with mounds of soft, bouncy pale green moss
Looking down on a pot of succulents potted up with a softer almost clover-like leafed plant

But also, succulents and small frothy ferns. What a combination.

Papped in the City

One of our festive traditions is to treat ourselves to a steak night in the run up to Christmas. I think it probably started as a reward for Christmas shopping, starting most probably, not completing it. But over the years the shopping part has been dropped and the steak is the focus. Last year we managed to fit in a visit to the Hawksmoor at Borough, walking from Fortnum & Masons in Piccadilly, mostly to avoid the tube and because it had been such a long while since we’d been into London.

This year though we were headed towards the City of London, so I thought our Fortnum & Masons luxury mince pies (another festive tradition of ours) might not be on this year. Then I learnt that they had a shop in the Royal Exchange, you don’t know how happy that made me. And so with my mince pies ordered for click and collect to coincide with our steak night, I was happy. The mince pies are divine, expensive, but divine.

What I wasn’t expecting was to be papped by Gillie & Marc’s Paparazzi Dogs at the entrance to the Royal Exchange, but I was so glad we were.

They definitely made me smile.

Mince pies, paparazzi dogs and steak - it was shaping up to be a very good night.

It’s the first time that the dogs have been in the UK, I’d like to think they knew I was coming - but that’s not true at all.

On the Royal Exchange website, they explain more about their temporary exhibit:

Designed to highlight the pack mentality of the media, the four Paparazzi Dogs have been travelling the world from New York’s Rockefeller Center to Melbourne’s Federation Square, Shanghai’s Jing’an Sculpture Park and Dublin’s Dundrum Town Centre, before arriving at The Royal Exchange to turn their lens on Londoners in a piece of public art that gives us all a taste of the glare of celebrity living

As well as the dogs, the mince pies and the nibbles to try in the store both the exterior (top) and interior (below) never fail to impress. For many years I worked opposite this building, and for many of those years had never been in until it was transformed into a posh shop mall - and even then, mostly just to look.

Our next stop was a favourite City pub - The Counting House on Cornhill - where both MOH and I have spent many evenings, with many colleagues. We were apprehensive about how busy it would be, and our tolerance levels for what we remembered being one of the busiest pubs where often it could take tens of minutes to make your way from the front of the pub to the back.

Reassuringly for us, less so for the publicans I’m sure, it was by comparison empty. There were people there, and we found a table to sit relatively easily - of course this was much to MOH’s horror, as he’s not a sitting down in pubs kind of person. But as I am, he did. It was still as beautiful as we remembered, and enhanced by the Christmas decorations.

After an aperitif or two, we along with our box of mince pies headed towards our steak restaurant - Blacklock just off Fenchurch Street. We’d been here before and in my usual style, I have no in-restaurant photos. We took the scenic route through Leadenhall Market to the restaurant, and this chandelier - in a coffee bar of all places - caught my eye.

Do you think it’s large enough?

Ah, Leadenhall Market always looks so good at Christmas, and while it’s the emptiest I think I’ve ever photographed it, it was good to see that some things don’t change. Let’s hope that the pandemic doesn’t completely silence places like this, that we know and love, but can’t always visit as much as we have in the past.